MARGARET WHITING - TEN TOP HITS (1959)
1. Morgen
2. Lavender Blue
3. I've Been There
4. Till There Was You
5. Three Bells (Les trois cloches)
6. Broken Hearted Melody
7. I Loves You Porgy
8. What a Diff'rence a Day Made
9. I Only Have Eyes for You
10. My Wish Came True
2. Lavender Blue
3. I've Been There
4. Till There Was You
5. Three Bells (Les trois cloches)
6. Broken Hearted Melody
7. I Loves You Porgy
8. What a Diff'rence a Day Made
9. I Only Have Eyes for You
10. My Wish Came True
MARGARET WHITING - PAST MIDNIGHT (1961)
01.By Myself
02.But Not For Me
03.Mean To Me
04.My Old Flame
05.Twelve Past Midnight
06.Sing For Your Supper
07.People Will Say We're In Love
08.Just One Of Those Things
09.Blue Room
10.They Can't Take That Away From Me
11.Ballad Of The San Young Men
12.At Long Last Love
As the album liner notes go to some length to clarify, the songs that make up Past Midnight are designed to capture the nocturnal world that exists after the bar lights go dark and the last cigarette is extinguished. It's not a time or place one typically associates with the innocence or earnestness of Margaret Whiting, but somehow she pulls it off, giving free rein to the jazzy impulses lurking behind her more commercial pop efforts. Whiting's interpretations of songs like "At Long Last Love" and "Just One of Those Things" are lithe and lovely, free of schmaltz or starch. No less surprising, the nuanced arrangements swing rather than snooze, guaranteeing the album is more lively than its after-hours concept might suggest. ~ Jason Ankeny, Rovi
02.But Not For Me
03.Mean To Me
04.My Old Flame
05.Twelve Past Midnight
06.Sing For Your Supper
07.People Will Say We're In Love
08.Just One Of Those Things
09.Blue Room
10.They Can't Take That Away From Me
11.Ballad Of The San Young Men
12.At Long Last Love
As the album liner notes go to some length to clarify, the songs that make up Past Midnight are designed to capture the nocturnal world that exists after the bar lights go dark and the last cigarette is extinguished. It's not a time or place one typically associates with the innocence or earnestness of Margaret Whiting, but somehow she pulls it off, giving free rein to the jazzy impulses lurking behind her more commercial pop efforts. Whiting's interpretations of songs like "At Long Last Love" and "Just One of Those Things" are lithe and lovely, free of schmaltz or starch. No less surprising, the nuanced arrangements swing rather than snooze, guaranteeing the album is more lively than its after-hours concept might suggest. ~ Jason Ankeny, Rovi
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