Baby Dodds

BABY DODDS - TALKING & DRUMS SOLO

Smithsonian, 1951

1.Talking (Tom Toms & Rims)
2.Swanee River
3.Swanee River
4.Talking (Brass Bands)
5.Just a Little While to Stay Here
6.Talking (Funeral Marches)
7.Nearer My God to Thee
8.Talking (Returning from the Graveyard)
9.When the Saints Go Marching In
10.Talking (Playing for the Benefit of the Band)
11.Talking (Cymbals, Cowbells & Ratchet)
12.Listen to Me
13.Maryland, My Maryland
14.Talking
15.High Society
16.Talking (Uptown Blues)
17.Careless Love
18.New Iberia Blues
19.Talking
20.Tiger Rag

Personnel:
Laurence Marrero-Banjo
Alcide Pavageau-Bass (Upright)
Adolphe Alexander-Horn (Baritone)
Baby Dodds-Drums, Vocals, Main Performer
George Lewis-Clarinet
Bunk Johnson-Trumpet
Jim Robinson-Trombone

Arguably the first important jazz drummer, Baby Dodds was one of the earliest to vary his patterns during a performance; a strong example of his adventurous style can be heard on a trio performance (with Jelly Roll Morton and Baby's brother Johnny) of "Wolverine Blues" in 1927. A major influence on Gene Krupa, Dodds worked in New Orleans with Willie Hightower, Bunk Johnson, Oscar Celestin, and others and played with Fate Marable's riverboat band in 1918. He joined King Oliver in San Francisco in 1922 and settled in Chicago the following year. In addition to recording with Oliver's classic Creole Jazz Band, Dodds was an important part of sessions led by Jelly Roll Morton and Louis Armstrong's Hot Seven. He remained in Chicago for decades, performing and recording regularly with his brother, Johnny Dodds, until the clarinetist's death in 1940. During the traditional jazz revival, Baby played with Jimmie Noone, Sidney Bechet, Bunk Johnson, and Art Hodes, appeared on the This Is Jazz radio broadcasts of 1947, and visited Europe with Mezz Mezzrow the following year. During 1945-1946, he recorded the first unaccompanied drum solos. Despite ill health in the 1950s, Baby Dodds kept playing until two years before his death; his memoirs are well worth reading.