SUE RANEY WITH BOB FLORENCE - FLIGHT OF FANCY (1986)
Flight Of Fancy
Sure As You're Born
What Are You Doing The Rest Of Your Life
Nice N Easy
Summer Me, Winter Me
You Must Believe In Spring
A Piece Of Sky
Make Me Rainbows
His Eyes, Her Eyes
That Face
Medley - The Trouble With Hello Is Goodbye; I Will Say Goodbye
Little Boy Lost (Pieces Of Dreams)
Take Me Home
Sue Raney has long had a spectacular voice with a wide range and plenty of power, yet filled with sensuous subtlety. Unfortunately, she has recorded much too infrequently throughout her career. For the third of her three Discovery LPs, Raney is teamed up with keyboardist Bob Florence, bassist Bob Badgley and drummer Michael Stephans for a dozen songs sporting lyrics by Alan & Marilyn Bergman, plus the title cut, a Raney/Florence tribute to the Bergmans. The emphasis is on ballads, with the better known pieces being "You Must Believe In Spring," "The Trouble With Hello Is Goodbye" and "Little Boy Lost." Raney's voice sounds appealing as usual, but the keyboards are sometimes rather dated and not much improvising takes place on the middle-of-the-road pop set.
Sure As You're Born
What Are You Doing The Rest Of Your Life
Nice N Easy
Summer Me, Winter Me
You Must Believe In Spring
A Piece Of Sky
Make Me Rainbows
His Eyes, Her Eyes
That Face
Medley - The Trouble With Hello Is Goodbye; I Will Say Goodbye
Little Boy Lost (Pieces Of Dreams)
Take Me Home
Sue Raney has long had a spectacular voice with a wide range and plenty of power, yet filled with sensuous subtlety. Unfortunately, she has recorded much too infrequently throughout her career. For the third of her three Discovery LPs, Raney is teamed up with keyboardist Bob Florence, bassist Bob Badgley and drummer Michael Stephans for a dozen songs sporting lyrics by Alan & Marilyn Bergman, plus the title cut, a Raney/Florence tribute to the Bergmans. The emphasis is on ballads, with the better known pieces being "You Must Believe In Spring," "The Trouble With Hello Is Goodbye" and "Little Boy Lost." Raney's voice sounds appealing as usual, but the keyboards are sometimes rather dated and not much improvising takes place on the middle-of-the-road pop set.
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